[biography] - Setups

[choices]      [guitars]      [drums]      [misc]      [equipment]


Making the Right choice for the right situation
For some, it's not about choices. But for this guy here, I'm very picky about what I use and when to use it. Now I know what you're thinking, "You're not currently in a band performing or in a studio recording"... which is true. But what I am doing, is alot of writing and practicing. And even in these situations I choose different setups, though some of them are based on location and not chosen on a musical level. But I think it's important to not only learn how to play the guitar, but to LEARN the guitar itself. Learn your equipment and through that, you can find a distinct style, grace, and sound that suits your needs.

Some guitars have different tones, some amps generate high ends better than others, and some distortions work better in different settings than others. These are all things I take into account when I'm jamming, writing a song, or playing along with a song. I guess in a sense, I was sort of lucky to be inspired by so many great musicians and a varied list of musicians with that. I've learned alot from reading articles on them and seeing them perform live. But I've also been very intuitive with my guitars and equipment. I've gained much knowledge just from trying different things here, tinkering with this and that, seeing if this sounds cool, etc. To me, being able to do that, makes a creative mind, more creative. And with that, I've taken what I know, and I bring it to the table everytime I set out to play my instruments. Experience plays a very large role when making decisions on sound, tone, and style when it comes to your instrument. I often joke about sleeping with my guitars, because they are in fact my babies, and I love them more than life itself. But there is a sense of seriousness to it all, because if you don't get to 'know' your instrument, it can mean the difference of being just another John Doe guitar player, or a guitarist who inspires others to use the creative force that we all have inside.


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Guitars: Main, backup, and acoustics, Oh My!
At one point, I had a huge setup going. I think it was before I bought "Skylar" (my Schecter electric guitar), but it was huge, complex, and fun. In brief, it was my Fender Heartfield guitar with the Roland GK-2A synth pickup on it. The guitar went to my Crybaby wah pedal, into "Daisy" (my digitech processor), then stereo out into my main Crate amp. The Roland GR-1 guitar synth mono into my Tascam 4-track (acting as a 4-channel mixer). Also in this mixer was "Orianna" (my steel string acoustic guitar) plugged directly in, and going in stereo was my Korg keyboard playing my sequenced rhythm section. Now from the mixer it went mono into my mini Crate practice amp. The 4-track mixing all the levels appropriately and Orianna was erected on one of the greatest inventions for acoustic guitars EVER, the Gracie guitar stand (basically a stand that raised the guitar in the air at playing level so you could wear your electric, and simply walk up to the acoustic and play... great for live performances). Also, on the side, was my Jackson guitar tuned down a whole step in case I got the urge to play some death metal tunes. It was this setup that I used alot.. and also was used when I recorded the first four demos of my music using my stereo with a mic to record the outputs of both amps. But those days are long gone. I've had to cut down on size for the my more recent setups due to the fact my equipment is now divided between two locations: My parents home (where most of my recording equipment is) and my apartment (where I basically just play when I'm home).

Home and away
So while most of my equipment is in my soon to be 'recording studio' at my parents house (collecting dust), I had to bring some stuff to my apartment so I could always be ready to play, write, or practice. And with the addition of two guitars recently (Skylar, the Schecter electric and Odessa my nylon acoustic) my setups have taken a slight change. In my studio, I have the nylon acoustic, keyboard, both crate amps, guitar synth, guitar processors, and my recording equipment (4-track and 18-track digital recorder). I basically use Skylar into the wah, into the digitech, into the main amp; keyboard into the practice amp for my rhythm section; and the nylon acoustic on my lap when I want to play a little fingerstyle.

In my apartment, I have my Fender and Jackson (still detuned one whole step) electrics, and Orianna for acoustic settings. I have either of the two electrics going into my old DOD TR3M pedal for effects, and from that headphone jack, goes to these AIWA mini stereo speakers (for walkmans/discmans) for volume. I also have my computer in my apartment to use midi files for the rhythm section.

Mortikai setup
During the Mortikai days, and in the live show, my setup was pretty simple. Mainly because I didn't have alot of equipment, and I was still new to the guitar (only been playing for two years up to that live show). I had my Fender as a backup guitar, but used the Jackson primarily because it had a fixed bridge and would was less of a hassle when playing tuned down to D (one whole step). Plus it was a badass looking guitar ;) But that guitar went into Daisy and then from there into my crate amp. It wasn't until shortly after that, that I got Orianna and that began the DreamScape era.

Now, if I were to venture out and play at this stage in my career. It would be rather simple again, but with a few differences. I'd be using Skylar as the main guitar, the Fender as the backup, and the Jackson would still be detuned if a song called for it. Also, the Fender would be used if I ever used the guitar synth in a live setting. But the guitar would go into the wah pedal, into Daisy, into my main crate amp. If I needed an acoustic, it would probably be plugged directly into the soundboard of the venue. That's basically it. Write now I'm just writing more material, and keeping my eyes open to any openings for a guitarist or drummer in a local band. Speaking of drumming...


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Drums
When I first came into the drumming scene in 1997, it was with Somewhere Angels Mourn. A friend of a friend had a drumset that wasn't being used and was kind enough to lend it to me. It has stayed with me still and is part of my drumkit today. It was a simple 5-piece kit with some cymbals. Over the course of a few months, I began to take a liking to drumming and began to explore the possibilities (much like I did with guitars). I became a huge Neil Peart fan and had visions of making a huge set like his. About a year later, a good buddy Mark sold me his 5 piece with some cymbals to which I combined both 5-pieces together. And yes, I used both snares ;) I soon expanded my cymbal collection and added some percussion into the mix. It's hard to explain, but the set that I practiced on in my parents garage was huge, and I'll go from the left side, clockwise to the right, drums first, then cymbals:

14x5 snare tuned setup/tuned like a marching snare drum; Above that was my mini-timbale set; tambourine; 2 high tuned rack toms; 2 medium tuned rack toms; 2 low tuned floor toms; and of course on the floor was the bass drum with DW DeltaII5000 double bass pedal and a 14x6 main snare. (11 pieces + tambourine)

14" woohan china, 8" splash, 13" zildjian custom K hi-hat, 14" crash, 16" crash, 18" crash, 21" ride, 10" splash, 10" hi-hat made from 2 splash cymbals (or a 13" zildjian bronze scimitar hi-hat) using a DW remote trigger hi-hat pedal, and a 20" china. (10 cymbals)

I have yet to find money to buy a real set and replace the two used sets I have. But when I do, my dream is to duplicate that very set with either Spaun drums or DW drums (leaning heavily towards Spaun drums). This would be my main set. The timbales would remain, and the 'marching' snare would be replaced with a piccolo snare, somewhere around 10-12" diameter and 2-3" deep. I'd probably go with a 13x5 snare as my main as well and adjust some sizes of the toms and bass drums. But the piece number would stay the same (until I came into more money and added octabons and timbales, and and and...). Some of the cymbals would remain, but alot are starting to corrode (many winters spent in the garage) and I'd probably go with all Zildjian K cymbals. Hardware wise, I love DW! I use their double bass pedal, hi-hat stand/pedal, and remote hi-hat pedal and absolutely love it! Strong, sturdy, and built for pros... just not like me! ;)
As for the miscellaneous stuff... I like clear remo heads for the toms, bass, and extra snare. I like a coated head for the main snare. I'm also very picky about what drum sticks I use, and those are Pro-Mark Jazz sticks. Hard to find, but thin, long, and durable. They also produce a nice bright tone on the hi-hat and ride. I'm just starting to get into brushes (metal of course) and I use ____ rods from time to time for the inbetween stuff. But one day... when I have the money, I will fulfill my drumming dream and have that huge set... oh yea, did I mention I'd want a second set too? This one would be much smaller, maybe 7-8 pieces total, (not sure about the cymbals) but would be geared towards fusion and jazz playing. Again, Spaun drums on that one, zildjian cymbals, and DW hardware. But it's good to dream cause both sets, to replace what needs to be replaced, would probably cost over $10,000.
I know, I know... Keep dreaming :(


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Misc
Not much to put in this section yet, as I have already covered my two main instruments above. But I guess I can touch on the small items that play a major role in my music. Aside from blank cassettes and black cd-r's, of course, comes the choice of strings, picks, cables and other assorted goodies.
I'm not picky on the cabling of my equipment, but I do look for durable chords that are made well (believe me, I bought some cheap ones in the past only to have them strip easily or the 1/4" jacks fall off. But I am picky on strings and picks. When it comes to picks, I started out using whatever I could find, and usually in a heavy or extra-heavy gauge. Heavy gauges were good for playing metal in my opinion. But as I expanded my playing I need picks to suit certain situations. And over the years, I've come to love Jim Dunlop Tortex Standard picks. Great picks!!! Durable, long lasting, and they are covered in a rosin like powder to give you the extra grip you need when playing that blazing fast solo! But the decisions don't just stop on brand name... I use different picks for different types of play, though I'm now down to only two. I used to use a heavy gauge (1.0mm) for rhythm playing and stuff, but have lowered it down to .60mm for my everyday guitar playing. I lower it even more to the smallest size offered by Dunlop picks, to .50mm for acoustic guitar picking/strumming. The more bend in the pick seems to really accent those strings when strumming on an acoustic guitar. But hey, these are just my preferences. You may like the opposite, and that's okay!
Guitar strings is another choice some probably don't give much thought. But the type of string can depend on the strings life, tone, and even the size can matter when playing. For myself, I stand true to Dean Markeley Blue Steel strings for my electric guitars. For my steel string acoustic, I also go with DM Blue Steel, but I can be found playing Martin Marquis every now and then. For my nylon acoustic, I haven't settled on to a brand yet... I've only tried a few so far but I'm sure I'll find one I like soon. But basically I look for tone and the life of the strings. Blue Steels on my electrics seem to last the longest for me. They also have a great bright tone mixed with great bottom end tones as well. The Blue Steel acoustic strings always seem to stay nice and bright for me.. they just always sound great. I've been playing with a light gaunge guitar string for about 8-9 years now, and have been thinking of going up a gauge or two to get some more bottom end and sustain, but changing strings (even though only a fraction of a millimeter) can be felt easily by an experienced player and sometimes that's not a good thing to throw at yourself if you're not ready.

I also have various capos, and a metal slide that I'm just now trying to incorporate into my solos. But, I've been eyeing those new Ebow's to add some ambience and textures into my music. There's not much else in my gear to talk about except the fact that I love Digitech's guitar processors and although they pissed me off by releasing upgraded versions of my 2101 soon after I forked over my grand to get it, I still love their products. Easy to use, great variety of distortions and effects. And by god it's got tubes!!!!!!!!!! Every now and then I'll switch to a distortion that uses those tubes and am just amazed at how warm and beautiful it sounds... even though it's coming out of my solid state Crate amp. But that may change.. I've been eyeing the "zenTera" tube amp by Hughes and Kettner that Alex Lifeson used on the Vapor Trails Rush tour.... OH MY GOD, the blue glow coming from the heads was just drool material!! MMMMmmm blue tubes...


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At a glance
Keep an eye on the gallery section for pictures of my equipment, but in this section, I'm simply going to list what I use or have used in the past *sniff*
(For those of you with weak stomachs and a one touch speed dial to the asylum.. be on your guard.. I give female names to my equipment)

Electric Guitars

"Skylar" Schecter V1+ Diamond Series Electric Guitar; Purple Burst finish; Purple lightning guitar strap :)
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Fender Heartfield Electric Guitar; Metallic Black finish; equipped with Roland GK-2A synth pickup
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Jackson Randy Rhoades JRR '94 Concept Electric Guitar; Metallic Blue finish; Offset "V" shape
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Acoustic (/Electric) Guitars

"Orianna" Ovation Legend 1867 Electric/Acoustic Guitar; Autumn Burst finish; Steel String
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"Odessa" Ovation Legend 1863 Electric/Acoustic Guitar; Natural Finish; Nylon String
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Guitar Effects

"Daisy" Digitech GSP 2101 w/ continuous control "CC" Pedal Board
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"Rolanda" Roland GR-1 Guitar Synthw/ GK-2A pickup; Plus Expansion Card
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Dunlop Cry Baby Wah Pedal
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DOD TR3M Triple Effects Pedal
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DOD Attacker Distortion Pedal; Missing, please return if found *sniff*
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Keyboards, MIDI, & Recording Equipment

Korg N264 Keyboard; w/ sustain pedal
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Roland VS1824CD V-Studio Digital 18-Track; Plus CD-R addon
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Tascam 424mkII Portastudio 4-Track
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My computer equipped with Creative Sound Blaster Live! Platinum Sound Card and Internal Live! Drive; Cakewalk Gold v6.0
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Amplifiers

Crate 130W Dual Celestion Speaker main amp; Addon Dual Celestion Speaker cabinet
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Crate 20W Dual Speaker Practice amp
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Drums & Percussion (this is just a basic list for the time being)

Various DW Hardware
Various Zildjian and Sabian cymbals
Various percussion and drumming stuff
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Misc Equipment
Gracie Ovation Guitar Stand
Sony MDR CD1000 Headphones
Various guitar, keyboard, and music stands
More to come soon!
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